Produced by Rick Rubin and released in June 2003, it went on to sell more than 500,000 copies and received gold certification. The band's debut full-length, Deloused in the Comatorium, featured Chili Peppers' bassist Flea on nine of the set's songs (RHCP's guitarist John Frusciante also contributed additional guitar, synthesizer, and backing vocals to a track). In May, during a tour of Europe with the Red Hot Chili Peppers, Ward passed away due to a heroin overdose he was 27. After Gardner left the band, the Mars Volta signed to Universal. Much of their reputation was built on the strength of their live show, as highly energetic performances resulted in a wave of word-of-mouth hype that elevated them to near-mythic proportions. To record their 2002 debut Tremulant, Bixler-Zavala and Rodriguez-Lopez enlisted friends Ikey Owens (the Long Beach Dub Allstars) and Jeremy Michael Ward (as sound technician and vocal operator). The Mars Volta immediately impressed critics and fans with their willingness to eschew conventional logic and commercial sounds in order to push themselves into new artistic directions. They wove elements of psychedelic and prog rock, vanguard jazz fusion, and electronics into a sonic mix that expanded their creative reach.
Given the restless musical ambitions of its two founders, the new group wasted little time in branching out from hardcore and punk. Guitarist/keyboardist Jim Ward, bassist Paul Hinojos, and drummer Tony Hajjar formed Sparta, while guitarist Omar Rodriguez-Lopez and vocalist/guitarist Cedric Bixler-Zavala formed the dub outfit DeFacto before recruiting bassist Eva Gardner and keyboardist/drummer Willy Rodriguez Quiñones. In 2001, internationally popular hardcore quintet At the Drive-In split into two bands. To issue the 2022 singles "Blacklight Shine" and "Graveyard Love."
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They issued three singles and an eponymous full length on Cloud Hill in September. In 2022 Bixler-Zavala and Rodriguez-Lopez reunited. 2012's Noctourniquet preceded a decade-long split. Following lineup changes and a spell of bad luck, they issued The Bedlam in Goliath in 2008. Amputechture arrived 11 months later and sold more than 400,000 copies. It eschewed conventional logic to push themselves in new artistic directions, while 2005's Frances the Mute revealed a willingness to use concepts to underscore a provocative musical approach. As the ever-evolving Mars Volta, they immediately impressed with 2003's gold-certified Deloused in the Comatorium for Universal. Picking up the pieces from At the Drive-In, Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed the Mars Volta and wasted little time branching out into elements of hardcore, prog, psychedelic rock, and avant-jazz and funk.
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